Showing posts with label surreal. Show all posts
Showing posts with label surreal. Show all posts

08 August 2010

#91 of 2010: Russian Ark


there were rembrandts. spectral guides. slices of history taken not from cultural climaxes or defining moments, but from the daily homelife of royals, the nondescript pain of common people, and the in-between and just-before moments that define a nation as much as the most recognizable pinpoints on timelines. the power of the film comes from the drifting, from the soundtrack that keeps the viewer uncomfortable, from the views, and from the feeling that we are actually stumbling- right along with the disembodied voice and his guide, the marquis- in and out of real history. "Russian Ark" is both breathtaking and subtle, incorporating the most intricate architecture and overdone period costume into a bare-bones non-narrative that pretty much amounts to a fantastically compelling and tantalizingly incomplete history lesson. sokurov has certainly made me crave information about Russia and renewed my desire to become more versed in general world history. major props to tillman buttner for his stamina and timing with the swooping pans.


14 July 2010

#87 of 2010: Daisies


they giggle, maniacally; they're thin and peppy in swimsuits, dresses, heels; they'll hang out with a rich old dude for a meal and entertainment. but after they get bored of teasing and frolicking, they'll light wads of crepe paper on fire in their room and cut phallic foods (pickle, sausage, crescent roll, banana) into tiny pieces with scissors to the soundtrack of a lovesick butterfly collector on the phone.
it might be possible to miss the feminism of this film- the message isn't militant or presented in an altogether serious fashion- but you aren't watching very closely if you do. "Daisies" continuously points out contradictions in society's opinions on propriety and feminine behavior [example: stylized drunkeness and suggestive dancing by a couple performers doing a flapper number are enjoyed by a chuckling, clapping audience, but the crowd is completely indignant when the two girls get drunk and dance for real. ACTUALLY having fun instead of faking a good time is NOT ok].
far from being a manifesto, or even suggesting how things "should" be, Chytilova's attention-getting early feature film is an absurd/surreal interpretation of the current (as of the 60's, and we can argue how far we've come since then) state of womanhood, which was and still is rather absurd on its own. this is the point. it is made with joyous, psychedelic, and well-paced deftness. and you should watch it.