Showing posts with label 50's. Show all posts
Showing posts with label 50's. Show all posts

31 January 2011

#106 of 2010: ...And God Created Woman




of all the movies i watched in 2010, this is the one from which i took the largest number of screen shots. the preponderance of camera setup/camera motion tics in ...And God Created Woman was unignorable. for instance, check out the "large dark visual metaphor for emotional distance hogging up a significant portion of the frame" trick:


zooming in and zooming out to indicate trouble for the sensitive young bro with a soulful nymph wife (who has not-so secret and not-so unfulfilled longings for older bro) is another common occurrence in the film, as seen here:


i don't have any shots of what was probably the most moving scene (fittingly the near-tragic violent climax). certainly i was too transfixed by Ms. Bardot's impassioned, solitary dancing to interrupt. instead of reading me ramble on about how refreshing it was to see a smoking hot young woman embrace her sensuality for the pure pleasure of it (rather than as a bargaining chip in the business of life), just watch this movie.

14 July 2010

#86 of 2010: Forbidden Planet



Leslie Nielsen is totally being serious: there is some heavy shit going down on this planet. Oh but first we'd better make sure we decide who gets the sexy daughter. Ok, it's Leslie, NOW we can try to figure out what's up with people getting ripped apart by some huge, malicious, unconquerable force. This movie was made in 1956, and I'd be willing to bet that it inspired more than a few kitschy/futuristic mansions. Despite hindsight and shifts in decorating tastes, the film is a pretty incredible visual feat. Good source material, too. The action/suspense/thriller agenda moved out of the way to let a healthy portion (in 50's sci-fi terms) of epistemology and ethics come across at several points, and the solution to the "what's eating/disemboweling gilbert astronaut?" riddle is pretty smart and well explained, if not a total surprise by the time it's revealed. I feel like that kind of dramatic irony was more respected back then, the kind where you make the characters even more dumb than the viewer so as to appeal to a wider audience and make people feel special. Of course there are contemporary examples. Like in that fucking "Da Vinci Code" book when a professional cryptologist has to stare at a scrap of text for HOURS before he thinks to get out a mirror. Dude, it's the name of the book. Hint. Anyways, I recommend "The Forbidden Plant" for it's fully electronic musical score, it's well-developed hypothetical super-intelligent beings and explanation of human research of them, and images like this one:




14 April 2010

#53 of 2010: Vera Cruz

it was a western. there were plenty of problematic portrayals of people of color. dialogue was stinted in favor of lancaster's (freakishly gleaming) teeth, but was often entertaining. too much discussion of unseen cautionary tale character, "ace". but some of the action shots were beautifully composed and followed through (good work, Mr. Laszlo).