first and foremost, i was surprised to find Jack Lemmon carrying himself more gracefully than Fred Astaire (who i kept wishing would break into a fit of irrepressible tap-dancing, but alas. . .). oh man, that scene where Jack's going downstairs to snoop around or get the scoop after he hears something, and down an entire flight of stairs his hunched shoulders and lowered brow both stay perfectly level, perfectly parallel to the floor. he just glides around. what a charmer. people (including me) say that the best actors aren't the drama mongers, the best actors are often the truly funny comedians. maybe they're the best dancers, too. Kim Novak was enchanting except for when she clung to Jack and bobbed her head and flung her eyebrows impossibly high, all alternately, robotically, and to some horrible rhythm. that was hard to watch, but it was over in a matter of seconds and she was her same slick, wide-faced whisperer once again. The crazy camera angles and light-speed panning and zooming at the moment of the movie-opening murder were notable, as was the coherence of the plot-driving mystery's resolution. it's a sexy romp and a sizzling suspense and might even be considered female-empowering. and if for no other reason, watch it because the guy who plays officer Oliphant is so. spot. on.
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